Segantini 04: Costume grigionese – Bündnerin am Brunnen, 1887
Baba as a shepherdess in Graubünden Sunday costume – an archetypal representation of drinking. At the time of Segantini, the water for the household was fetched at the well, washed and the animals were soaked. Today, the fountains like this one in front of the church of Son Mitgel serve only as an ornament.
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Segantini 06: Ritorno dal bosco – Rückkehr vom Wald, 1890
First painting with the explicit theme of death – the snow as a sheet of death and the way directly to the church tower (by Son Mitgel): The last stage of life has been reached. The picture location is probably at the corner of Veia Tgaplottas and Veia Davos Tga.
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From the Plazza Segantini, Segantini painted the picture of the hard peasant work in the alpine landscape. He adapted the real terrain to his artistic needs. The on-site staging shows Segantini painting the picture while his wife Bice reads to him, as she often does.
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The former municipality of Tinizong-Rona was formed on 1 July 1998 from the merger of the two villages Tinizong and Rona. Since 2016, the village belongs to the municipality of Surses.
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The Sala Segantini is run by the Pro Segantini association. Until further notice, an exhibition with Segantini's design sketch for the Savognin Church Nossadonna will be shown from June 2026. The exhibition "La Skizza en splendur" also sheds light on Segantini's relationship to God, nature and the church.
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Segantini painted the balcony scene in this quarter on a wooden balcony of the stables that used to stand at Veia Sur Ual 16-18. The original balcony no longer exists. In the background you can see the church of Son Mitgel.
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